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Deprecated: Use of "parent" in callables is deprecated in /home2/h0a3d1p3/staging.ramstudioscomics.com/wp-content/plugins/simple-lightbox/includes/class.options.php on line 501 sketching Archives - Ram Studios Comics
In this post I want to talk a bit about the primary stages of the drawing process for comics. There are obviously a lot of different ways to create stunning art for comics but the main ones that come to mind are the rough sketch, the pencils or refined lines, and the inks!
Most artists develop the work in this way but not every artist goes about it the same. Some comic artists can draw a clean image over a very loose sketch and sometimes no sketch at all. Yes, they do exist and yes, I do want to Karate kick them in the face. Just kidding…I don’t know Karate. 😂
People like me at least need to refine things a bit more to stay consistent with my end result. Some artists might need to draw things over and over again to get what they want. The point is, whatever works for you is, “The Right Way!” Over time we all get better at skipping steps that once were essential to the goal. It’s kind of the magic of art really. It’s also why it’s so powerful when you see the work of an artist you admire. You are witnessing the collective ability that they have acquired over years and years of hard work. That is the reason they make it appear so easy. Drawing for comics isn’t an overnight process, it’s a journey so be ready.
Step 1 – The Rough Sketch
I take my time with the initial sketch. Let me be specific, I take as much time in the thumbnail stage as it takes to know I have a good concept to work from. I purposely draw them loose and fast. I know, I just contradicted myself. I draw them quickly because they are small and very little detail but I also take my time to draw as many as I need to get the composition right. Not getting caught up in the details too soon.
Drawing for comics is a tricky thing. We tend to overthink it or put details where they don’t belong or will not even get noticed. Try to think big to small as you layout your scene. If the big shapes make sense then all those amazing details will just be icing on the cake.
J. Jonah Jameson from Spider-man “Get me Parker!!”
Drawing for comics is hard work but it gets much easier when you plan it out!
Step 2 – Refining the Pencils
Now I move to exploring my composition. Refining the lines and seeing if I can realize my original vision. The good news is if you work through the rough sketch properly this part is much easier. If you fail to put in the necessary ground work then you have to work harder at this stage. Some artists can envision things a bit better but if you can’t just double check you initial sketch. Check the perspective, proportions, composition, and gesture. Chances are if those things are working this stage will be much more fun!
Tighten up the work and add in the details but not everywhere. You have to have negative space for the viewers eye to rest. Cluttering up every square inch of the page can actually hurt the scene. Use a combination of angles and curves to explain the forms. Too much of one or the other can leave the art feeling too stiff or too soft. Same rules apply to texture. Some surfaces need to look shiny, some need to look gritty. Balancing out the contrast while keeping your focal point In mind is the key.
Step 3 – Inking the Work
Now you get to put those pretty solid lines everywhere. This is where the real commitment comes in. I like to think about this part as making the art feel solid but not so much that it looks lifeless. Not always easy to do, for me anyways. Depending upon your style, rendering can make things appear overly stiff. Just do your best to remember that initial concept. That is one of the reason I like to save the incremental steps as I work. I can look back and see where I may have lost the initial energy of the thumbnail sketch.
I also think that when your inking the work you should experiment with different levels of shadows and cross-hatching.
Some styles work better with less and the opposite can be true too of course. Another thing I like to pay special attention to is the time to add all those glorious little details.
As I mentioned before, think like a painter does, large to small. Make sure everything works with the bigger shapes and then render in the tighter refined lines. We can get caught up in the details that no one ever really sees. Plus, we are trying to draw comics here. Waste too much time and we miss our deadline and no one wants that!
In what ways do you stage your work or break things down. Be sure to comment below and let others know how you draw for comics. We all learn and grow together.
I hope you find this post helpful and be sure to share the content. Good luck with your art and remember to have fun along the way! 🙂
Ever wonder what steps you should take to improve your comic style art?
I always get this question, “How can I improve my comic art?” I will admit the most common answer you will ever hear in your life is Practice! It’s is the answer that no student wants to hear. I remember hearing it and thinking, “I practice like a madman already. How much does it take?”
Instead of giving you the lazy answer, let’s delve into the details a bit more. It isn’t enough to know that you need to practice a lot. You need to know what to practice and why. You also need a few other concepts to think about. Strangely enough, it’s not all about practice. Let’s jump on in!
Practice Poses as Often as Possible!
TIP#1 Practice Daily!
Wait! You just said?! I know, it seems like a low blow doesn’t it? It really is the first and easiest answer. You have to practice daily to improve. Long gaps will hurt your development.
What should you practice is probably the best question but you have to answer that one for yourself. Find the weakest link in your chain and make it the strongest. If you can’t draw faces but you draw really great muscles then you know what you need to do. It is hard to do because we gravitate to what we are confident at.
So fight the habit and dedicate a good portion of your studies to what matters most or something that is holding your work back from being amazing.
TIP#2Create Finished Art!
You need to create finished pieces of comic art or you are setting yourself up for potential failure. Sketching and studies are extremely important of course but if you don’t focus on completing your work you won’t develop a strong portfolio and ultimately won’t secure any work.
People don’t commission or hire based upon sketches. Finishing your art pieces will also force you to deal with the fact you may not be able to draw feet, hands, or faces. It is easy to hide those things in rough sketches. ( Maybe not the faces. )
Completing your work will also make you fully aware of how fast or slow you can draw. Extremely important if you hope to work as a professional artist.
Venom and Spider-man – Stages of the Artwork
TIP#3 Ask for Constructive Criticism!
The reason I say to ask for it is I feel that if you request it, you are far more likely to receive it as sound advice. We have all gotten someone’s unwanted criticism at times and just decided to not accept it. Truth be told, it only hurts you to keep a closed mind to it.
Even someone that is a complete stranger draws like a 5 year old and has a profile pic of road kill could still be a fantastic art critic with sound advice. It’s not always going to come from someone you admire and it is more about how you choose to use the information.
When you jump into the professional world anyone and everyone can quickly become your critic and even your boss. Best to get used to it now and stomach your sensitive little ego!
TIP#4 Get Back to the Basics!
We sometimes get to a certain level in our art and we think we are the next Jim Lee or Todd McFarlane so we go for more advanced drawings. Hoping to hide any flaws in our work by applying our fancy smancy rendering techniques. It’s okay to practice this once and a while to develop our “Eye Candy” effects. Just don’t do it every time and think that no one can tell that your characters are stiff as cardboard cutouts or that your page compositions are as interesting as peeling potatoes on a Saturday night.
Getting back to the basics of drawing gestures, primitive shapes, understanding perspective, composition, understanding your tools, jumping back into your art books, and so on is often overlooked because we think we are better than we actually are. It is easy to get caught up in all the “likes” on social media from people that want to be supportive of our work or just get a bit of tunnel vision.
We have to remember that our polished art needs a sound foundation to rely upon. Only then can it soar to the heights of Mount Olympus or whatever fantasy reference you prefer.
TIP#5 Keep an Actual Sketchbook!
I really wish I would have done this more consistently through my younger years. I have tons of sketches on loose pieces of paper and although I love sifting through those fond memories a lot of them aren’t dated.
A series of completed sketchbooks gives you a more somewhat linear view of what you have accomplished. You still need to be adamant about dating your work of course. Sketchbooks are much more organized and as artists we need all the help we can get in that area. ( Well, I do at least! : /)
Sketchbooks are Very Important to Track Your Progress!
TIP#6. Go to the Comic Conventions!
This is so important if you truly want to be a professional comic book artist. The comic conventions are an amazing way to learn and grow as an artist. Even if you don’t like spending money to have a table, it is still a great experience to attend and show your work around.
This part ties into the constructive criticism from Tip #3. Showing your comic art and starting some dialogue with others about it, will teach you a lot. Just be receptive and leave your ego at home. You can’t fill a cup that is already full, right?
Also, the conventions give you a “behind the scenes” look at what works and what doesn’t. Speak to as many artists, writers, and editors as you can. The nuggets of advice you will learn from them is priceless!
TIP#7 Update your Portfolio Often!
As you complete new works of art, update your portfolio. Don’t just add to it either. Your better works should incline you to show the lesser works to the nearest exit. Your portfolio should only have room for your best comic art.
Don’t make the mistake of showing an editor a stack of sketches mixed with a few covers. It should contain 10 to 15 of your best pieces of art. It should also reflect what you want to be as a comic artist. If you want to draw books, then you need sequential storytelling not a bunch of pinups.
Also, if you do show this work to an editor, don’t make excuses on why it isn’t your best work. Only show your best work and listen more than you talk. Becoming defensive shows weakness. Just take notes and go back to the drawing board and make improvements.
In my opinion, you should also make sure to include a nice range of your abilities within those pages. Draw people with expressions and emotions as well as super-powered heroes punching through walls. Make good use of perspective and include lots of props like cars, street signs, a damaged fire escape, and so on. It shows that you can draw lots of little details and enrich the scene. If you can illustrate a scene with lots of clutter and make it read well visually then you have an edge on a lot of artists. Don’t be they guy or gal that draws superheroes against a blank white canvas all the time!
TIP#8 Draw with a Focus!
It’s not good enough to just draw. You have to have a focus. This sort of ties into Tip #1. You have to go into your drawings with a purpose.
Are you going to draw an amazing piece of fan art to show the world what you can do with their favorite character? Are you developing your studies of anatomy and poses for the next few hours? Are you going to strengthen your understanding of “Dynamic Light and Shade” with the Amazing Burne Hogarth Book you picked up? Get it here with my Amazon Link – https://amzn.to/2YsP0yO ( I highly recommend all of his books! ) Are you going to enhance your speed by doing timed studies of areas within your work?
Having an intention and focus is much more powerful than simply drawing whatever pops into your melon. It allows you to maximize your efforts. You will learn much faster by doing this and not get burned out so quickly by spending time on the wrong aspects of your work.
TIP#9 Sell your work!
You may think that this is only reserved for the pros. So not true! I started my art business in high school. I would barter my amazing ( unrefined ) art skills for good grades and social status. We all know good grades may eventually help you pay the bills but you might say, “You can’t pay your bills with social status.” Maybe not directly but it will translate to income over time.
It’s basically branding and self-promotion. Becoming the guy or girl known for being an amazing artist will get you the word of mouth that sells the work. So why all the enfasis on selling your work. It teaches you a lot about how the real world process will work.
Being able to take instructions from a client, negotiate a deal that is mutually beneficial, make changes as needed, communicate clearly, tame your ego, and deliver your artwork on a deadline. This Tip will probably teach you the most about yourself and if you can’t do this for regular joe’s then you may not be ready for the big leagues.
TIP#10 Use Reference and Draw from Life
Just because we are comic artists doesn’t mean we can’t use reference. In fact, it is quite the opposite.
Reference can take a decent artist and turn them into something amazing. I am all for drawing from imagination as much as possible but sometimes you just have to feed the brain box. Draw from life and interpret it into your own style. Then your comic storytelling will know no bounds.
Your fans will love seeing all those references ran through your creative filter. Just don’t trace or else you will weaken your ability to convert things into your own style or make changes as quickly.
TIP#11 Study from the Masters
Masters can be anyone that you admire really. They don’t all have to be Leonardo Davinci for you to learn from them. Knowledge hides in the most inconspicuous places.
Make sure to study the work but not copy it or pass it off as your own vision. If you adhere to the original work you need to credit the artist. That being said, it is actually a fantastic way to level up your art skills. It allows you to peer through their eyes and follow the choices that they made.
As a comic artist I often ink the work of others that I am inspired by. Not because I want to be an inker but because I learn immensely every time I do it. Their lines are amazing to me for a reason, so inking their work can demystify some of the process. Plus, it’s just plain fun to do! 😉
These are just some of the things I do to improve my comic art on a daily basis. I hope you find these tips to be valuable and I would love to know what are the ways your improve your art! Comment below and feel free to share the post if you enjoyed it!
Sincerely,
Robert A. Marzullo
Ram Studios Comics
Want to learn more about my comic art process. Check out my courses below…
How to Improve Your Figure Drawing – Step by Step –
How to Draw Dynamic Superheroes – Start to Finish!
Hello Fellow Comic Artists!
I have been working on some new content to add to my existing Udemy course, How to Draw Dynamic Superheroes – Start to Finish!”
I have just included over 5 Hours of new content in this course. Putting it at over 9 Hours long with 28 NEW lessons. In this section, I show you how to draw, ink, and color a fully detailed comic book scene or cover piece. This helps to implement all of the previous lessons taught throughout the course. Which should help to commit the important parts to your memory!
Here is a breakdown of what the current curriculum looks like :
Section 1 – Basic Proportions of the Superhero Male
Section 2 – The Superhero Female
Section 3 – Drawing the Muscle Bound Brutes
Section 4 – Drawing Dynamic Superhero Poses
Section 5 – Drawing Characters with Perspective and Foreshortening
Section 6 – Creating a Comic Book Scene – Superhero Flying Towards Camera
In this course you will learn how to sketch poses, refine the sketch, measure and adjust proportions, create suit designs, render various materials, create shapes of shadows, draw bodies in perspective, use thumbnails to save time, create dynamic poses, draw a cityscape in perspective, ink the work, apply colors and add final touches!
By the end of this course, I have no doubt you will have a lot better understanding of what it takes to create comic book artwork like the pros! You also get all the art files to study along with.
If you have any questions about this content you are welcome to leave your questions in the Q+A Section. I will answer you back as soon as I can. I am also open to any feedback you have for me to improve the quality of this course for everyone! I will continue to add lessons as needed and you will get all additional updates for free.
I hope all is well on your side of this crazy rock. I am having fun drawing some new fan art and I wanted to share a few things I have learned while doing so. For those of you that don’t know my process let me explain. I have been drawing comic art for over 20 years now and I used to work on good old bristol board but a few years back I decided to start working digitally. ( I was a messy inker! :>) I know people are rolling their eyes right now. Real artists use traditional tools, right? I get it, you’re in love with the feeling of real paper. I don’t blame you, I draw on paper as much as I can too. Something about it just feels…..you know…natural! I switched because I am a big fan of technology and I like to be on the forefront of it all. Plus, I really just wanted to ink digitally but then later realized the pencils were possible as well. By creating all of it digitally I was saving a lot of time. I no longer had to scan my pages which was always a pain. I know a lot of artists just don’t want to make the switch. I truly don’t blame you, to each their own I guess!
So when I started drawing digitally I bounced around to a few different drawing softwares. I quickly realized Manga Studio 4 could create full comic books as a single document and gravitated over to that. I was a little less than enticed about the drawing process on there. I was still using an Wacom Intuos 3 at the time so that was a bit of a hinderance as well. I hadn’t fully gotten used to drawing on a “lap tablet” as I like to call them. Then I switched to Sketchbook Pro for the pencils and it started to feel more natural. Once I finally upgraded to a Wacom Cintiq 22, I was like a kid in a candy store! I finally had a really nice drawing experience going on. I could pencil and ink all on this device and with the two programs I felt like I was really getting somewhere.
With each new update the programs have gotten better and better. ( For the most part. ) I still didn’t feel like I was creating to the level that I could achieve on paper though. Keep in mind, there is a learning curve with any and everything, so part of it could have been that. I truly believe you can create amazing art with anything if you put your mind and heart into it!
Almost two years ago I started hearing people talk about the new iPad Pro coming out. I was a bit skeptical at first. Maybe good for amateurs but I am a pro and I need a big fat Cintiq on my table. ( By pro I mean a starving artist of course. lol ) Upon seeing other artists work on this device I was quickly sold. I loved the fluid marks they were making. I also thought the Apple Pencil looked more comfortable to work with. Plus I really wanted to be portable with my art creation process. After taking the leap of faith I was quickly at home using the device. It was very intuitive and I was creating the style of art I like rather quickly.
The only issues I had was not being able to use all my favorite programs. I felt a bit stuck. I really enjoy the feel of the device but was missing some great apps to take advantage of it. I even used Astropad for a short time to help bridge the gap but it didn’t fit well into my workflow. I then started using Procreate more and more. Within a few updates this app was really starting to appeal to me. Plus, it records videos and I am such a Youtube junkie these days! 🙂
The Procreate app is extremely well designed. It moves quickly and the interfaces is so streamline you will forget it is there. The brush engine is nothing short of amazing and it has the most natural drawing experience I have found thus far. The Venom art above was drawn in this app. About 90 percent of my work is done there now. I still jump over to my Cintiq when I need dual monitors and have to get some multi-tasking done but I quickly jump back over to my iPad Pro and Procreate combo to knock out some sketches or comic art.
So I just want everyone that reads this to know that the iPad Pro and Procreate is a VERY solid solution to creating professional art on the move. Great battery life and stable as can be! I am here if you have any questions I can help with and if you want to learn more about how I use these two together you can check out my Udemy course here – https://www.udemy.com/procreate-like-a-pro-create-awesome-digital-art-on-an-ipad/?couponCode=RAMCOMICSPOST101
Good luck with your art and thanks for your support! 🙂
I often get into a bad habit of drawing whatever comes to mind. I mean to say, when I start an image I don’t always know exactly where I want it to end up. When I see myself do this too many times I get back to the basics to fix it. That is when I go back to drawing thumbnails like a good little artist should! 😉
Thumbnailing helps you to know where the artwork should end up. It is a way to establish a set of ideas without wasting a huge amount of time. Another way to say it is just “rough sketching” but I think thumbnails are the preferred terminology in comics.
You can work out things like poses, composition, camera angles, movement, energy of the shot, and shapes of shadows. In my opinion, you want to get as much information about the end result as you can within about 2-5 minutes of sketching. This also sparks creativity immensely!
After rough sketching about 5 thumbnails I am usually pretty set to go on my drawing but hey at 2 minutes long no big deal if you need to create a few more, right?
If you want to see a video of this drawing from the thumbnail sketch to the finished pencils you can watch it here on my Youtube channel –
Let me know what you think of it and as always, Keep Drawing and Keep Having Fun! 🙂
In this class you will learn how to draw these 3 hair styles. We will cover basic form and rendering techniques that will apply to not just these but lots of other various hair styles as well. This should give you a basic understanding of how to design your own favorite hair style for your cool characters!
You will start with a male face that I have created for you. This allows you to simply focus on the hair drawing and not worrying too much about the characters face. Try creating lots of variations over the same pose. See how much you can change the characters look with a new hair style! Have fun with it! 🙂
If you have any questions I am here to help and thank you for your support of my lessons! More on the way real soon….
Ever wonder how people come up with tons of great ideas? Do they just have some sixth sense when it comes to illustrating fantastical beasts? Nah! They just know you need to study from nature more. Animals, insects, plants, sea life, even microscopic life forms will give you all you need to create that next mythological monster.
So in this next series of lessons we delve into that concept. I will show you how to create studies from the spine of various animals to have a foundation for your creature design. We will talk about the importance of quick thumbnails to explore a multitude of ideas. Then we will cover Predators versus Prey and what some of the noticeable differences are. Then we will put it all in action with a creature concept or two.
This will all be in a drawing style and not software specific so that digital and traditional artists can follow along. Working on the lessons now so check back for updates if you are interested.
Get theses lessons on my Skillshare or Gumroad in the links below.
Thanks for stopping by and let me know if you have any questions!
Robert A. Marzullo
Ram Studios Comics
An Educational Resource for Comic Art Creators and Digital Painters.
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